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Serchmaa Byamba is a world-renowned Mongolian contortionist, performer and teacher who trained under the legendary Madam Tsend-Ayush at the Mongolian National Circus. She is the founder of the Mongolian Contortion Center in San Francisco and a pioneering figure in making Mongolian contortion accessible to adult Western students.
Ever since watching a contortion act on Mongolian national television as a young child, Serchmaa dreamed of becoming a professional contortionist. She enrolled in the Mongolian National Circus Contortion training programme and became one of the select few to train under Tsend-Ayush, who was known for her strict discipline and keen eye for talent.
The training was gruelling — daily sessions of 3–4 hours. As Serchmaa later recalled, under Tsend-Ayush's strict regime, "I had to learn to cry inside."
In October 1992, while performing in Germany with the 'Urguu' circus troupe, Serchmaa was invited to participate in the European Youth Circus Festival in Wiesbaden, Germany. More than 35 countries sent their top performers, including four other contortion acts.
Serchmaa was the only Asian performer ever invited to participate. She won the prestigious 'Golden Elephant' award and was named the 'golden girl of contortion.'
Serchmaa has appeared in major Hollywood productions including:
She has also appeared on numerous TV talk shows, performed at the San Francisco Black and White Ball, and in shows including Cirque de Oy Vey and the fire ballet Odyssey by Crucible.
After settling in the USA in 1998 and performing with the travelling circus 'Cirque Ingenieux', Serchmaa took up teaching at the Circus Center (San Francisco Circus School).
She founded the Mongolian Contortion Center, becoming one of the first teachers to offer authentic Mongolian-style contortion training to adult Western students.
Serchmaa adapted the traditional Mongolian training methods for adult bodies:
In 1994, Serchmaa began training 14 young girls for a ballet event called 'The Beginning of Universe'. Four of those original students stayed to pursue contortion, marking the beginning of her teaching career.
Serchmaa Byamba represents a crucial bridge between:
She believes contortion should be accessible to everyone who is interested — a philosophy that aligns closely with the mission of the modern contortion community.
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